Quint, Propagraphic, Begoendal, Reflect, dan Egauseless are groups of street artists that have made a lot of murals in Jakarta. Although all of them create artworks in street art form, they have different expressions. They will coat the abandoned monorail pillars stand along Senayan---Manggala Wanabhakti with graffiti or mural. It will be a kind of an invitation to Jakartans to realized issues and problems in Jakarta.

Begoendal talks about people shouting their own problems such as politicians, parliament members, students, socialites, and religious people in its works. Egauseless and Quint depicts urban people celebrating a city lifestyle that full of paradoxes.

. 

Established in 2009 in Jakarta, Reflect has participated in a number of exhibitions together with other artists, namely in Apa Ini, Apa Itu Art Exhibition along Pantai Lepang Klungkung, Bali, Vinyl Attack: Street Art Exhibition at Gardu House, Jakarta, PAT – Propagraphic Movement in Dukuh Atas, Jakarta, and Ragad Street Art Exhibition in Tűzraktér, Budapest, Hungary. The most recent exhibition was the Rites of Passage at the Burning Man Festival, Black Rock Desert, Nevada, the USA. Reflect, on the other hand, depicts dysutopia urban society that is curious about other’s problems. 

Sabil was born in Makasar in 1977 and attended Hasanudin Makasar University majoring in Indonesian Literature, and majoring dance at Jakarta Art Institute (IKJ). Aidil Usman who was born in Padang, West Sumatra, in 1970 is a choreographer likes to use various medium. Popy Parisa is young choreographer often deals with urban issues.

The three of them collaborate to make a performance about fine art choreography at Ciliwung River near Pasar Baru, Central Jakarta. The power of dance and visual are combined with the touch of Iriantine Karnaya who brings pieces of human body sculptures.

They present a work that has the basis of dance, fine art, river, and crowded market’s power. The theme is Jakarta’s problem as “maximum city”: waste, violence, religious dilemma, technology contradiction, and people’s urban lifestyle. Their work is called Death River and Self-Purifying Rites.

Serum was found in 2006. It was started from a group of Fine Art students at Jakarta State University. Now this community is more opened, allowing public to join them. They often create works in public space such as murals, graffiti, cartoons, or comics.

This community will decorate the interior of Tanjung Priok—Beos—Pasar Senen—Manggarai—Jatinegara train, campaigning the proper way in using train. It was started from a discussion between KRLmania and FX Harsono, one of New Fine Art Movement artists, and now they have produced slogan stickers for the train interior.

Teater Bejana was found by Daniel Hariman Jacob, Felencia, Chaca, In Bene, Dinda, Ayu, and Jaja in May 19^th 2002. They started their debut in April 2003, performed a play called Women’s Liquid by Riris K Toha Sarumpaet. They often combine theatre, music, dance and painting.

They have performed Andre Rousin’s Pregnant at Gedung Kesenian Jakarta. In February 2004, they performed Kwee Tek Hoay ‘s The Rose from Tjikembang at Taman Ismail Marzuki. In August 2004, they performed Watching Cap Go Meh at Balai Sarbini, celebrating the birthday of Emas Pemuda Tridarma. In 2010 they performed The Thief of Heart adapted from Kwee Tek Hoay’s The Thief and Asep Sambodja’s Limbuk Wants to Get Married. It was both directed by Daniel Hariman Jacob.

This time they will perform Kwee Tek Hoay’s classic script called Watching Cap Go Meh to commemorate 150-year Kwee Tek Hoay. He was born in July 31, 1886. He was the youngest child of Kwee Tjiam Hong, a Chinese medicine trader who later opened a textile store, and lived in Bogor, West Java. He was a trader, educator, writer, printer, as well as publisher of his own books.

A Narration from Bamboo Construction by Teater Studio Indonesia is a reaction to mass violence and wildness in Indonesia lately, including the ones using religious justification. The performance relies on “gunungan wayang”---a form resembles mountain used to end a wayang performance 8-meter-high and 16-meter-long. This installation stage was made of bamboo carried from Serang, Banten.

This performance was inspired from the tradition of old pre-Hindu, Hindu and Islam. It develops the esthetic of violence metaphors. Silat Terumbu, Egrang, Bebegig, Lais, Beluk, and Pecut are supported by field music using bamboo instruments, Terbang Gede, Calung Renteng, Angklung Buhun, Kokoprak dan Dogdog Lojor. Everything reacts to violence that rules human’s aggressive desire that ruins the spirit of civilization.

Teater Studio Indonesia is a theatre group of youths from Serang, Banten. They often mizing national culture and modern theatre language. The director is Nandang Aradea.

The Light Surgeons is a group from London that develops multimedia art. Their works include films, moving and printed graphics, photography, installations, exhibitions and live performances. For the last 15 years they have been helping in creating new forms of cross course practice from a spectacular cinema, big exhibition in museums and creating in digital films.

They have developed wide spectrum works such commercial clients and cultural institution from various projects. It take them to creative industry and keep challenging themselves in collaborating with anyone.

They will present a project called LDN-Redux at Salihara Theatre, Pasar Minggu, South Jakarta. It is an experimental show with multilayer audio visual, exploring London scenery and architecture.

This group consists of Herry Kardjono, Aryo Hendrasto, and Dreananda, which is headquartered in Kemang, South Jakarta. They are a lot of work on the project design of products and for the fine art and applied.

They will make a punch line "maximum city" mounted on public space in Central Jakarta. This punch lines describes the condition of Jakarta's congested, and sparked a lot of problems and challenges. Problem creating problems for the citizens of the city, while the challenge of sparking creativity for those who look at this problem of  more positive side

Tisna Sanjaya was born in Bandung in 1958. After graduating from Bandung Technology Institute majoring in Graphic Art, he attended Diplom Freie Kunsthochschule fuer Bildende Kuenste, Braunschweig, Germany. Today he is taking doctoral program at Indonesia Art Institute (ISI), Yogyakarta.

Although he has graphic art background, he is an artist well-known for developing multimedia works. Some of his works are society-base art social projects and was produced together with the society. One of them is Cigondewah project in South Bandung, providing support for society in preserving local tradition from industrial attack.

He collaborated with Atap Alis in Kampung Rambutan, East Jakarta to create public art. Together with local children and youths, he applied social fine art strategy that emphasized the bond between a society and its environment.