Born in Jakarta in 1984, Cecilia was studying at  Faculty of Fine Arit n the Department of Sculpture and Design and fine art Bandung Institut of Tchnology (ITB). At this time, she continued study in Vetroricerca Glas & amp; Modern, Bolzano, Italy. This woman  has  frequently exhbition  within and outside the country. One of them, 13th Asian Art Biennale Bangladesh, Bangladesh, in 2008.

Her work , Swimmwers, showing the body two human being swimming . made of glass , two bodies of swimmers with sunglasses image that is fused with water also made of glass . The human body and water as nothing distance . This provides visual enjoyment because color of glass , texture , and unification of between body and water . more than that , this harass our consciousness  between universe and the human body .

He shows a House with walls covered with some sort of carpet. The base is used for worship it is torn torn in some parts-. Among the visitors could rupture a little peek into the painting in its wake. It turns out, on the back of the carpet, hidden many paintings of women with the pose is open.

This artist was about to set out the carpet between usually for prostrate in worship rituals with female sexy figure-a figure that is hidden behind it. Does not only give rise to conflicts and harass the curiosity, the meeting of two things usually opposite also sparked tension and a lot of questions. What is the meaning of Godliness? What is sexuality? How the relationship between the two, either in public or lenyataan Imaging in the private sphere?

When he studied at the institute the science of social and political science ( iisip ) jakarta , along with young people about Lenteng Agung and IISIP alumni , Adel involved setting up a community forum Lenteng of which many move in visual world . the first winner was of the asean new the media art, birth at 1983,  and his work has been much into parts a number of arena for the fine arts scale of national or international , among which are the Oberhausen the Festival of Germany unreal asia ( 2009 ) , Video Ok , Massroom project in Yogyakarta and Bandung , and other . In a state of to become carrion , human beings reintroduced what is it about oneself and identity . in the condition of being dead and living of the body , we asked about the different things that matters and not matters in a living state.

The art:

“Bangkai”

Video

2011-12-10

1981-born artist and since 2005 live and work in Yogyakarta. In addition to studying at Institut Kesenian Jakarta, the artist who worked through the medium of installation is also steeped in art at the Art Institute in Yogyakarta Indonesia. Some exhibitions have followed include: Project installation ExplorArtion Plaza Grand Theater, Taman Ismail Marzuki, Jakarta and Cemeti Art House, Yogyakarta.

The art

“So what’s wrong,..  the bitches is just hungry”

Instalation, ribbon tape

2011

He was born in Klaten, 1974, and studied art at the Art Institute in Yogyakarta Indonesia. Members of  Apotik Komik held a solo exhibition at this year with title, Love/Velo on Sigi Arts, Jakarta. Along with other artists, he also had exhibitions abroad and have repeatedly participated in exhibitions in Bali, Surabaya, Yogyakarta and other cities. Among other things: Transfiguration: English Mythologies, Espace Culturel Louis Vuitton, Paris, France, Homo Ludens # 2, Emmitan Gallery, Surabaya, Indonesia; Membikinnya Abadi, Gallery Semarang, Semarang and The Topology of Flatness, Edwin's Gallery, Jakarta.

Cities and towns in Indonesia have always been marginalizing the user mode of transportation was motorized. This is considered a motor bike was not suited to modern life that is fast-paced and definitely risky though on air pollution, the use of natural resources to the utmost, etc

An artist from Yogyakarta was settled in Sidney, Australia. Have single exhibition since 1998 to the present. Some of his exhibition is The Nature of The Beast and Sick of Your Greed in Lismore Regional Gallery, Lismore, Australia. Aris also follow various shows together in some countries, like Spain, Andorra, France and some other countries. Aris also won the award several times over his works, among them the Southern Cross Arts Festival (People's Choice Winner) Ballina in New South Wales, Australia.

Penghuni Rimba Ibu kota is a human bust headed piranhas , predatory fish living things . this sculpture body fat with the right hand holding straws , and went in the pocket trousers . like humans , but headed ferocious fishes . Not difficult to understand it as a byword the man who loses teak himself as human beings . humans but being predators for everybody another human being . He prosper , but it is earned of betraying , deceive , even afflict others .

Born in jakarta 1983 , this artist finished his education the statue of the faculty of the fine arts and design bandung institute of technology ( itb ) 2008 . He active do exhibitions and acquire a bunch of awards , such as bandung contemporary art awards top 25 finalist , 2011 , and bienalle indonesian art awards 2010 finalist . His sculpture of the human body is in an atmosphere contemplative . there is whole body with the organ of the lungs can move as sithe. There are also leather wrapping the human organs that has been deflated , been hooked , or made elongated .

Saw these bodies, we become upset, collapsed and our consciousness of the body . whether we are so diagnosticate our own bodies , the organs within , a feeling , the senses , with the spirituality ? I think we do need deepening to yourself in an honest manner .

“The Facticity Series”

Sclupture

2011

Artists born 12 July 1981 was finishing his studies in Engineering Informatics Intitute of science and technology in Indonesia (ST-INTEN RESORT). Has ehibition since 2005. His works have appeared in several exhibitions such as ART |JOG | 11, Taman Budaya Yogyakarta, Yogyakarta; Expansion in the National Gallery of Indonesia, Jakarta; Contemporary Landscape Art and Science, Lawangwangi Estate, Bandung; Illustration of the short story KompasBentara Budaya (Jakarta, Yogyakarta, Solo & ; Bali).

In I Want To Live Another Thousand Years-Bayhaqi's dead body crate installation which highlighted the visual image. Crate dead has always been a metaphor that had a lot of sense, especially of death and impermanence of man. We are living now, but sometime later in the end we will arrive at the hour of death as well. If life is transitory, whether death is eternal? Death and life could have also drawn on a situation that is very relative. The miserable life without happiness and pride in fact almost the same with no meaning or hollow. Same thing with people who have died. However, when it is dead, one could stay alive is also working on a lot of good to another human being.

Born in Shenyang , china , 1972 , Cai Zhisong graduate of the central academy of fine arts , sculpture department 1997 , and post graduate licentiate from central academy of fine arts 2001 . He could be teaching others in the central academy of fine arts , sculpture department , for later plunged become a fulltime artist.

This artist known for sculpture the human body which represent  traditional body , but with the present and desire . pose and portraits of people from the past exploited for responding matter today , like the norm , obedience , complete surrender , and cogitation upon oneself .

Graduated from Berlage Institute in 2005, Daliana Suryawinata worked as architect. Her work was published in a compilation of “Works of Young Indonesian Architects 1998-2002”, and exhibited at the Erasmus Huis in Jakarta in 2002 and at the Venice Biennale in 2006. She is a PhD candidate from her previously university, the Berlage Institute. Her work has been published in the book Works of Young English Architechs (1998) and on display at Erasmus Huis (2002). In 2006 the work at the Rotterdam Academy of Architecture has participated in the Venice Biennale.

Andra Matin is an architect who received numerous awards, such as was named one of the architects of the architects, 101 world, most engaged in 2007 by Wallpaper Architecture Directory. He has a lot of work on the project home, office buildings, galleries, shop, or hotel.

Daliana, Andra Matin and Florian Heinzelmann, Daliana's partner at SHAU create “Social Mall”, an instalation artwork about the idea of ideal shopping mall

“Social Mall” is addressed to public authorities and private investors or developers. The project would like to respond to two of Jakarta’s problems: (1) the lack of the public facilities and (2) over-saturation of shopping malls, in one spatial solution.

Since 1980s, the city experienced an increased activity of the private sector, sometimes in the detriment of the public sector. Around 170 malls have been built in the Jakarta region since then. But despite this increasing trend some of these malls suffer from the lack of customers and disconnection with the neighborhood, infrastructure and other malls.

“Social Mall” integrates public facilities, such as library, playground, clinics, sports field, green spaces, which are missing into malls that have low occupancy rates and empty commercial spaces.

In addition the authors see potential in maximizing connections between malls with bridges, platforms and ramps that can accommodate public programs and which could become a new symbol of the city of Jakarta.

The artist's birth Jakarta, March 26, 1984, finished the education in the Faculty of Art and Design Institute of technology Bandung (ITB). Has some worked at Nyoman Nuarta in Art and Workshop. Some exhibitions are held: Satu at FSRD ITB, and mural competition Walking on the Painting in Cihampelas Walk Bandung. Several exhibitions followed as the last shadow of Islamic Art, Contemporer Galeri Nasional Indonesia, Jakarta; Hybird Project: The Buterfly Effect, Museum Of Barley, Bandung; Project: The Buterfly Hybird Effec-Expanded, Maja House, Bandung.

He made the image of the iron railway which had been bent and drawn up a circular. There are a pair of shoes in between pieces of rail. It was just a clone because it is made of stone. All of them put it on the floor. Not hard to imagine the narrative immediately in this work. Rail and travel widely understood as a shoe. The circle indicates something that there is no end. Perhaps life is actually none other than the constant travel, perhaps rephrasing, and there is endless. Live how we fill this circular trip.

Gorontalo-born artist, May 19, 1982, studied art informally. In 2007 he presented a solo exhibition entitled Facing Earth at Gallery of Surabaya, Surabaya. His work entitled Istrefi Ornamentation been exhibited at art exhibitions in the Gallery of Nusantara Nusantara, Jakarta. Some of his other works have also been exhibited in a number of joint exhibition, and the exhibition Biennale Jatim IV (2011).

“Pertarungan Dalam Cermin" shaped piece of realist painting the face so that the mirror is split. The audience could see the face of the man on the canvas in even-numbered passes the shadow in the mirror. This work is a metaphor of a crack of human itself.

The Solitude of Jiang Hua adalah karya instalasi Julia Burns (Australia) dan Enrica Ho (Hong Kong) yang merupakan pemahaman kedua artis , sebagai reaksi terhadap kompleksitas konsumerisme dan tekanan sosial pada wanita di Asia.

Kedua perupa ini menganggap bahwa tekanan ini, yang diterapkan oleh industri kepentingan dan tekanan budaya, berkembang menjadi beban ketidakpuasan dan kesadaran diri untuk wanita-wanita ini. Kesombongan tertanam terjadi, didorong oleh kebutuhan untuk bersaing dengan perempuan yang lebih muda dan lebih cantik untuk kesempatan yang terbatas. Bersumber dari eksplorasi yang pernah mereka lakukan pada isu-isu yang berkaitan dengan kecemasan dan keraguan citra diri, The Solitude of Jiang Hua bergerak dari trauma pribadi ke wilayah yang lebih luas dan menempatkan mereka dalam konteks ekonomi pada umumnya.

Para seniman kemudian meningkatkan status pertanyaan pada konsumerisme pada karya seni, seperti proses produksi dasar karya seni. Dari sudut pandang dua seniman yang tinggal di Hong Kong ini, mereka mempertanyakan asal dari 'busana' dan jurang antara konsumen kelas menengah dan pekerja pabrik amat merasa. Namun, para seniman percaya bahwa konsumen 'istimewa' tidak benar-benar beruntung; mereka hanya sekedar bagian dari sistem yang sama sebagai pekerja pabrik dan memenuhi peran yang diharapkan dari mereka. Para seniman bertujuan untuk meninggalkan pertanyaan terbuka bagi para penonton untuk memikirkan atau mendefiniskan kembali 'sistem', dengan bertanya apakah 'sistem' melayani pelanggan atau sebaliknya. 

Info lebih lanjut mengenai Enrica Ho bisa dilihat di www.enricaho.com dan Julia Burns bisa dilihat di www.juliaburns.com